August 18, 2017 – Cardiff-by-the-Sea, California

Weekend Links: August 18, 2017

  • Chance can do no wrong. Love this Tiny Desk:
January 11, 2017 – Cardiff-by-the-Sea, California

Links: January 11, 2017

Baylor Sports Nerd Alert

December 31, 2016 – Cardiff-by-the-Sea, California

Records of the Year: 2016

ONE. Michael Kiwanuka: Love & Hate. I was looking forward to this release for a long while, and it did not disappoint. Michael says a lot of hard and important things on this record.

TWO. Chance the Rapper: Coloring Book. Really special, and bringing new meaning to "Gospel record." And I really enjoyed David Dark's commentary on Chance.

THREE. Local Natives: Sunlit Youth. Hooks and production on this record were so solid.

FOUR. Bon Iver: 22, A Million. Solid effort for those of us who have been waiting a while for this record.

FIVE. John Legend: Darkness & Light. I really enjoy these songs and love that Blake Mills produced this record.

And in no particular order:

  • Joseph. I'm Alone, No You're Not. The songs are exceptional and the harmonies on this record are so solid and definitely a household favorite in the Dodd home.

  • Radiohead. A Moon Shaped Pool. Standard greatness. Thankful they make music.

  • Anderson Paak. Malibu. Total groove. I love the tone that "The Bird" sets up top.

  • St. Lucia. Matter. A wall of sound in the best way.

  • Sturgill Simpson. A Sailor's Guide to Earth. He is pumping out solid effort after solid effort.

  • Frank Ocean. Blonde. Lots of scrutiny and secrecy around this release, and I dig it.

  • Dawes. We're All Gonna Die. Class in songwriting, and another solid Blake Mills produced record.

  • Paper Route. Real Emotion. Solid.

  • Switchfoot. Where the Light Shines Through. Really love how this record turned out.

  • Crowder. American Prodigal. The Grammys agree with me, and this is such a phenomenal record. Crowder's version of Thad Cockrell's "Great Rejoicing" is one of my highlights of the year.

  • Phil Wickham. Children of God. Sonically always getting better, incredibly heartfelt songs, I love what Phil is doing (especially when collaborating with Pete)!

  • The Last Royals. Never Be Alone. Consistently putting out great songs.

  • Tyson Motsenbocker. Letters to Lost Loves. This really is one of my favorites because of the way these songs ring in your soul.

Honorable mention: Stranger Things Soundtrack, Matt Corby, Travis, Sandra McCracken, Foy Vance, Matt Wertz, Lael, Trent Dabbs, Cass McCombs, One Republic, David Bazan, Macklemore

Check out the Spotify playlist of some of my highlights from these records, and a few more songs I enjoyed from the year. (Big props to Spotify for automating a great collection of my favorites from 2016 as well.)

And I want to hear about your favorite records! Tweet them at me here: @p_dodd

December 31, 2015 – Dallas, Texas

Records of the Year: 2015

ONE. Sufjan Stevens: Carrie & Lowell. There was so much anticipation for this record and it delivered in a huge way as well as massively exceeded expectations. His faint voice and light instrumentation is perfect.

Note: in becoming a continued student of the relationships of music and spirituality, Sufjan's words and songs are especially intriguing. This article is worth a read.

TWO. Leon Bridges: Coming Home. I'm a fan. I love the fresh soul he brings and tribute to Sam Cooke.

THREE.(tied) David Ramirez: Fables. David's work has always resonated well with me. I am a fan of David as a person, as a songwriter, and as a performer. For him and Noah to team up to make this record was a really great gift this year gave.

THREE.(tied) Noah Gundersen: Carry The Ghost. Haunting, beautiful, arresting, tasteful, art. That's all I got.

Note: This record had PHENOMENAL album art. Philip Harder's work on this cover is really incredible.

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FIVE. Mutemath: Vitals. I knew that Mutemath was coming out with a record, but I honestly did not expect for it to be so good. I have listened to it so much, and this song is one of my favorites of the whole year.

And in no particular order:

  • Ryan Adams. 1989. I love that he did this. I love that he didn't care. And I actually really enjoy it.
  • Sandra McCracken. Psalms. Sandra infused so many beautiful melodies into the Pslams - so thrilled for her and how this turned out.
  • Jon Foreman. The Wonderlands. Jon's writing shines so brightly through this series of EPs
  • Adele. 25. I am not the only one who liked this record a lot.
  • Matthew Perryman Jones. Cold Answer. This record seemed to fly totally under the radar, but has some gems on it.
  • Brandon Flowers. The Desired Effect. "Between Me & You" is one of my standout tracks of the year.
  • Rayland Baxter. Imaginary Man. Rayland has a super fresh voice and a lot to say.
  • Chris Stapleton. Traveller. There are only a handful of people or guideposts that I personally look to for music recommendations. Seth posted about Chris Stapleton right when the record came out and I gave it a gander then and immediately thought "What a voice!" America has also caught on and that is fun.
  • Lovelite. Hopeful Strangers. Always solid.
  • The Japanese House. All releases. TJH is one of the greatest surprises of the year. Cool vocals, some heavy emotional distortion. I love it.
  • Oh Wonder. Oh Wonder. Simple and pretty. Some great piano riffs.
  • Beirut. No No No. I never gave Beirut a listen before this year and my interest was piqued when I saw their new record released. The sonics and melodies on this record are phenomenal.
  • James Bay. Chaos & the Calm. Zero to hero in a seemingly short time and he deserves it.
  • Justin Bieber. Purpose. This is an amazingly catchy record.
  • Julien Baker. Sprained Ankle. Last "JB" of this list and a pretty important record as far as faith + music is concerned.
  • Hillsong United. Empires. Standard greatness.
  • Tobias Jesso Jr. Goon. Feels old-timey and I dig it.
  • Matthew E White. Fresh Blood. Just enough groove to keep it fresh.
  • Coldplay. A Head Full of Dreams. Getting slightly better with every listen.
  • Joy Williams. Venus. New Joy & new songs made a great combo. Some solid tracks, but "Sweet Love of Mine" is a standout.
  • Ben Rector. Brand New. Ben is a kind man and consistently putting out great work. Stoked on how this record came out.
  • Slow Meadow. Slow Meadow. The best instrumental music out there at this point.
  • Ivan & Alyosha. It's All Just Pretend. Simply solid.
  • Lord Huron. Strange Trails. Continuing down the trail they blazed.
  • Lapsley. Understudy. Quite the arresting voice.

Thanks for getting this far. A Spotify playlist of some of my highlights from these records has been compiled for you here.

And I want to hear about your favorite records. Tweet me! @p_dodd

P.S. Interesting graphic Spotify gave me this from their Year In Review function:

image

December 31, 2014

Records of the Year: 2014

ONE. Blake Mills: Heigh Ho. Blake Mills' show at El Rey in September was one of the best I have ever seen, and I don't say that lightly. The instrumentation, the songs, and the talent on display were all top notch.

TWO. Ryan Adams: Ryan Adams. This record was like a ice cold glass of water on a hot day: exactly the right thing at exactly the right time.

THREE. The War On Drugs: Lost In The Dream. This record showcases some amazing tones and great production. I probably listened to it 25 times in a row after the first time I put it on.

FOUR. Beck: Morning Phase. I hadn't listened to Beck too much before this year, and this record as a complete work was really impressive to me.

FIVE. Sturgill Simpson: Metamodern Songs in Country Music. Recording live-to-tape is getting more and more rare, and this team knocked it out of the park with that process. I love how this record sounds.

Here are several other records I really enjoyed this year in no particular order:

  • Hozier. Hozier. I'll just say this: I am not the only person who has him on a year-end list.

  • Delta Spirit. Into the Wide. Total rock'n'roll.

  • Young Oceans. I Must Find You. I needed this record this year. The song "I Must Find You" was really great for re-centering and late nights.

  • Copeland. Ixora. I love that these guys came back -- but the April Fool's announcement threw me.

  • Coldplay. Ghost Stories. Continually solid and dominating their niche.

  • Field Report. Marigolden. Singer-songwriter music that feels really fresh.

  • First Aid Kit. Stay Gold. Great songs, good melodies, good harmonies. Sounds like Eisley + country, and Lacey and I loved it.

  • Taylor Swift. 1989. Her marketing people deserve some kind of award as well.

  • Tycho. Awake. Some of my favorite instrumental music in the last decade. Love it.

  • Crowder. Neon Steeple. Solid all-around record.

  • Luke Reynolds. After the Flood. Just heard of this guy recently, and I really like the tunes.

  • Colony House: When I Was Younger. Proud of these 3 ... they have been hard at work for so long. These are all really solid songs.

  • SOHN: Tremors. Incredible voice and great programming.

  • Brooke Fraser: Brutal Romantic. New territory for Brooke, and it's a good direction.

  • Matthew & the Atlas: Other Rivers. New discovery this year for me. Great for working late at night.

  • St Lucia: When The Night. These songs get me playing the air drums really hard.

  • Noah Gundersen: Ledges. Noah really put his best into this record. Excited for people to start seeing our #SerialBoxTV episode with him.

Thanks for reading! I made a Spotify playlist of some of the highlights here.

I want to hear about your favorite records. Tweet them at me here: @p_dodd

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