December 31, 2015 – Dallas, Texas

Records of the Year: 2015

ONE. Sufjan Stevens: Carrie & Lowell. There was so much anticipation for this record and it delivered in a huge way as well as massively exceeded expectations. His faint voice and light instrumentation is perfect.

Note: in becoming a continued student of the relationships of music and spirituality, Sufjan's words and songs are especially intriguing. This article is worth a read.

TWO. Leon Bridges: Coming Home. I'm a fan. I love the fresh soul he brings and tribute to Sam Cooke.

THREE.(tied) David Ramirez: Fables. David's work has always resonated well with me. I am a fan of David as a person, as a songwriter, and as a performer. For him and Noah to team up to make this record was a really great gift this year gave.

THREE.(tied) Noah Gundersen: Carry The Ghost. Haunting, beautiful, arresting, tasteful, art. That's all I got.

Note: This record had PHENOMENAL album art. Philip Harder's work on this cover is really incredible.

image

FIVE. Mutemath: Vitals. I knew that Mutemath was coming out with a record, but I honestly did not expect for it to be so good. I have listened to it so much, and this song is one of my favorites of the whole year.

And in no particular order:

  • Ryan Adams. 1989. I love that he did this. I love that he didn't care. And I actually really enjoy it.
  • Sandra McCracken. Psalms. Sandra infused so many beautiful melodies into the Pslams - so thrilled for her and how this turned out.
  • Jon Foreman. The Wonderlands. Jon's writing shines so brightly through this series of EPs
  • Adele. 25. I am not the only one who liked this record a lot.
  • Matthew Perryman Jones. Cold Answer. This record seemed to fly totally under the radar, but has some gems on it.
  • Brandon Flowers. The Desired Effect. "Between Me & You" is one of my standout tracks of the year.
  • Rayland Baxter. Imaginary Man. Rayland has a super fresh voice and a lot to say.
  • Chris Stapleton. Traveller. There are only a handful of people or guideposts that I personally look to for music recommendations. Seth posted about Chris Stapleton right when the record came out and I gave it a gander then and immediately thought "What a voice!" America has also caught on and that is fun.
  • Lovelite. Hopeful Strangers. Always solid.
  • The Japanese House. All releases. TJH is one of the greatest surprises of the year. Cool vocals, some heavy emotional distortion. I love it.
  • Oh Wonder. Oh Wonder. Simple and pretty. Some great piano riffs.
  • Beirut. No No No. I never gave Beirut a listen before this year and my interest was piqued when I saw their new record released. The sonics and melodies on this record are phenomenal.
  • James Bay. Chaos & the Calm. Zero to hero in a seemingly short time and he deserves it.
  • Justin Bieber. Purpose. This is an amazingly catchy record.
  • Julien Baker. Sprained Ankle. Last "JB" of this list and a pretty important record as far as faith + music is concerned.
  • Hillsong United. Empires. Standard greatness.
  • Tobias Jesso Jr. Goon. Feels old-timey and I dig it.
  • Matthew E White. Fresh Blood. Just enough groove to keep it fresh.
  • Coldplay. A Head Full of Dreams. Getting slightly better with every listen.
  • Joy Williams. Venus. New Joy & new songs made a great combo. Some solid tracks, but "Sweet Love of Mine" is a standout.
  • Ben Rector. Brand New. Ben is a kind man and consistently putting out great work. Stoked on how this record came out.
  • Slow Meadow. Slow Meadow. The best instrumental music out there at this point.
  • Ivan & Alyosha. It's All Just Pretend. Simply solid.
  • Lord Huron. Strange Trails. Continuing down the trail they blazed.
  • Lapsley. Understudy. Quite the arresting voice.

Thanks for getting this far. A Spotify playlist of some of my highlights from these records has been compiled for you here.

And I want to hear about your favorite records. Tweet me! @p_dodd

P.S. Interesting graphic Spotify gave me this from their Year In Review function:

image

December 31, 2013

Records of the Year: 2013

Here are my top 5 in reverse order, followed by another dozen or so.

FIVE. HAIM: Days Are Gone. If you follow me anywhere, it's no secret I think this song is one of the best musical moments of the year:

FOUR. Sleeping At Last: Atlas. Ryan is always pushing the envelope. I never get tired of hearing the creative string arrangements, or extremely thoughtful melodies. But what I mostly appreciate about Ryan's music is that it just makes me feel.

THREE. Local Natives: Hummingbird. These guys are just good musicians and good songwriters.

TWO. The National: Trouble Will Find Me. I wasn't sure if "High Violet" could be topped, but these are great songs.

ONE. Volcano Choir: Repave. These songs pull on my heart strings really heavily. The line "Can't believe your father left his land" from "Alaskans" gets me choked up almost every time.

And in no particular order:

  • Phoenix: Bankrupt. Although it's not nearly as strong as Wolfgang Amadeus Phoenix, it's a really strong effort. And their Blogotheque videos were pretty special. Buy it here.

  • Gregory Alan Isakov: The Weatherman. When this record released, I wore it out. Wore it out! It has a calming effect. Buy it here. (And I am excited to show you our SerialBox session coming with him soon.)

  • Phil Wickham: The Ascension. Phil and Pete put so much thought into these songs and how they are presented to you. It's really a work of art. Buy it here.

  • Washed Out: Paracosm. In the early fall, this record was a productivity go-to. I love the ethereal nature of it. Buy it here.

  • The Lone Bellow: The Lone Bellow. "Brooklyn Country" is a fitting genre description for The Lone Bellow. For me, they also fall in the genre of people that you simply want to win. And the lyric, "A tree I'll grow to let you know my love is older than my soul" ... are you kidding me?! GOLD! Buy it here. And check out the SerialBox session here.

  • Gungor: I Am Mountain. I listened to this record for a month straight. A totally fresh batch of songs. Totally eclectic and totally perfect. Buy it here.

  • Active Child: Rapor EP. Consistent. This EP he released this year is a staple in our home. Buy it here.

  • Hillsong United: Zion. Seeing the live version of these songs in April was special. Buy it here.

  • Vampire Weekend: Modern Vampires of the City. Hard not to give props to these guys for a great collection. Buy it here.

  • Junip: Junip. Subtle tension & melancholy. Crossed off the list of bands I wanted to see live. José did not disappoint. Buy it here.

  • Daughter: If You Leave. One of the clearest and most hauntingly beautiful female voices in music. Buy it here.

  • Trent Dabbs: The Way We Look at Horses. One of Nashville's finest. Just enough twang. Just enough folk. Love it. Buy it here.

  • CHVRCHES: The Bones of What You Believe. I was a latecomer to the CHVRCHES party, but their show sealed the deal as a fan. Buy it here.

  • Night Beds: Country Sleep. A certain "wallowing" sound that strikes a chord in me. Excited to release our SerialBox session with them too. Buy it here.

For a Spotify playlist / compilation of my favorites from records throughout this list, go here.

Some great EPs from the year:

(If you're interested in last year's list, go here. Additionally, this is my public apology to Macklemore & Ryan Lewis for not including The Heist last year. Buy it here!)

1